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Cara O'Sullivan

  1. Baroness of the Beat
  2. Cara
  3. Cara O'Sullivan
  4. Cara O’Sullivan
  5. Gravesinger of Afiele
  6. 'Humble Actor'
  7. ’Humble Actor’
  8. Queen of Pop
  9. Sid
  10. Sid (Nickname)
  11. Singer of Afiele
  12. Singer of Terandria
  13. Siren of Songs
Total mentions
1243 mentions
First mentioned in chapter
6.32
Last mentioned in chapter
Interlude – Erin

Total mentions

Total mentions
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Mentions

Mentions
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Chapters with the most mentions

Chapters with the most mentions
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Books with the most mentions

Books with the most mentions
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Volumes with the most mentions

Volumes with the most mentions
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Mentions

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Chapter Text
6.32 “I believe it’s called My Way. Originally performed by…Frank Sinatra. I have no idea who that is. Look, it’s written here. But the song itself is being performed by the—the Queen of Pop.”
6.32 “That’s what she calls herself. There’s no country called Pop—don’t bother looking for it. I already did. It’s a nickname. She’s known as the Baroness of the Beats. The Queen of Pop. The Siren of Songs. The [Singer] of Terandria.”
6.32 “That’s what she calls herself. There’s no country called Pop—don’t bother looking for it. I already did. It’s a nickname. She’s known as the Baroness of the Beats. The Queen of Pop. The Siren of Songs. The [Singer] of Terandria.”
6.32 “Not so fast! I have to show my guests something. You’ll like the last song. It’s good too. But I only have three of these crystals. They’re rare. Obviously; it’s a magical recording of a performance. I had to pay dearly for it. I gather it’s only really catching on around Terandria, where this Queen of Pop is based. But if she puts out more music like that—she’ll get my business.”
6.50 I The music was by the ‘Queen of Pop’, the Singer of Terandria. The rising sensation of the continent, apparently. Ilvriss wasn’t sure who she was, but Brilm had bought a number of these…recordings of her music. And he had gifted one to Ilvriss after realizing how fond the Wall Lord was of this particular song.
6.50 I The music was by the ‘Queen of Pop’, the Singer of Terandria. The rising sensation of the continent, apparently. Ilvriss wasn’t sure who she was, but Brilm had bought a number of these…recordings of her music. And he had gifted one to Ilvriss after realizing how fond the Wall Lord was of this particular song.
6.52 K “Yes. The Siren of Songs is furious. As are a number of other rulers who have become aware of the article. The Mage’s Guilds are not being subtle about how they advertise this…journalism. Send word—carefully—to instruct the Mage’s Guilds not to reveal the location of this [Reporter].”
7.08 K “Hello, father. It’s a recording crystal! It holds sound! Look! It’s by the Queen of Pop!”
7.08 K “I know that! But I can’t train my class on most people in the kingdom! Just one trip, father. And then—I’ll go to Terandria and meet the Queen of Pop and learn from [Fencers] there.”
Interlude – The Hangover After “Yeah! This is music! Have you heard the Queen of Pop?”
7.13 K Jecaina, his daughter, was staring at her father with a strange look in her eye. The same look she got when she talked about the King of Destruction, or Terandria, or the Queen of Pop. That of a girl dreaming of a story.
7.17 S “Isn’t it? The Queen of Pop. She’s selling those music crystals. That’s a gift. The kids are loving it.”
7.21 KQ “The—concert. By the Queen of Pop, Knight-Commander. She arrived in this city not two hours ago. They are all there. Rather than here.”
7.21 KQ The Queen of Pop. The Siren of Songs. The Baroness of the Beat. All of these titles were…self-proclaimed. She was not, in actual fact, royalty.
7.21 KQ The Queen of Pop. The Siren of Songs. The Baroness of the Beat. All of these titles were…self-proclaimed. She was not, in actual fact, royalty.
7.21 KQ The Queen of Pop. The Siren of Songs. The Baroness of the Beat. All of these titles were…self-proclaimed. She was not, in actual fact, royalty.
7.21 KQ Because the Queen of Pop, the world’s first [Popstar]—was coming to perform in Phel’s Light today. And the crowds? They were going nuts.
7.21 KQ “Queen of Pop! Queen of Pop!”
7.21 KQ “Queen of Pop! Queen of Pop!”
7.21 KQ But the Queen of Pop’s music was different. It had a…beat. A kind of flow and style and instruments this world had never dreamed of. It was pop, in a world that hadn’t even discovered rock, let alone funk or jazz or…
7.21 KQ The Queen of Pop had emerged from her carriage. She was…radiant. Her clothes, makeup, even the way she was poised as the wagon’s doors opened and it slowed to let her step out and greet her fans—all of it spoke to a different world’s culture.
7.21 KQ “Excuse me! I’m a [Prince]! Singer! Miss Cara, it’s me! Make way! Make—”
7.21 KQ The air around her was electric. Personality, force of will—even people who didn’t know the Singer of Terandria felt drawn to her, like metal to a magnet. She was laughing, excited, blowing kisses and talking with her audience as her fellow band members did the same. One of the young men with a guitar saw the [Baroness] and began talking with her as she stared at him with admiration.
7.21 KQ The [Manager] of the tour, a young woman from earth, bellowed into the crowd, her voice amplified by her Skill. They backed off—if only because it was true the wagons needed to set up. The Singer of Terandria had been given the largest plaza to perform in and the wagons were moving into it.
7.21 KQ But the main star and her band were all in a single wagon. Oh, they had special effects. Makeup. Props. But the song was the thing. And while the [Singer]’s crew moved around the wagons, getting ready, no one, absolutely no one was allowed in the private wagon that belonged to the Queen of Pop.