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[Drummer]
- [Drummers]
These are aliases for "[Drummer]".
Aliases are alternative forms of a reference. They can include actual aliases for characters, nicknames, plural variations, gendered versions of some [Classes], and even typos.
Mentions
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Chapter | Text |
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6.03 | A [Bard] was more than just a [Singer]. They were different than a [Troubadour], who sang of entertainments and ballads of love. Bards fought if they needed to, but they weren’t [Soldiers] like [Drummers] were, or [Horncallers]. A Goblin who took up an instrument was unlikely to be a [Bard]. Because in the end, a [Bard] told stories as they sang. They told stories, and legends. Of heroes. |
6.30 | She groaned. Krshia uttered a few Gnoll curses and turned, calling for her crowd to form up. But to Selys’ surprise, this time Lism wasn’t heralded by a huge crowd. Instead, he was walking on his own two feet, followed by a gathering of onlookers—but not the vehement protesters that usually shouted insults at Krshia’s supporters. And the drummer was no [Soldier], but just a regular Gnoll [Drummer], banging a brisk beat on the drum. |
Interlude – The Titan’s Question | Niers raised a hand and waited for the drumroll to die down. The [Drummers], all Dullahans, filled the lecture hall with sonorous thwooms of sound, probably echoing the heartbeats of his class. Perorn stared at Niers. |
Interlude – The Titan’s Question | “You actually brought [Drummers]? What is wrong with you, Astoragon?” |
Interlude – The Titan’s Question | Now there was silence. The [Drummers] packed up and left the room as Niers cleared his throat. He eyed the papers and announced to his students. |
6.63 P | “Music, for one. There’s a [Harpist], some [Drummers] for the battle scenes, and they’ve got a [Fencer] who can do fancy fights. But it’s overdrawn—they do the fight scenes as if that’s the most important part, and the music takes away from the reading.” |
7.21 KQ | A [Drummer], a [Bassist], the lead guitar…each one of them had an instrument they could play. Or…pretend to play. After all, the songs were augmented by actual music from the laptop and speakers. |
7.21 KQ | But a few of them were actual musicians. The [Drummer] for instance, needed no help. He’d been an actual member of his band back from home. The [Guitarist]…? Not so much. |
7.21 KQ | The [Drummer], whose name was Thien, leaned over and scowled. He was Vietnamese. The others called out insults as well. |
7.50 | And the person on the other side was also from Earth. Not that they’d ever spoken to him. Greg, the [Guitarist], had tried, and Thien had put him in a headlock. The [Drummer] knew the score. |
7.50 | That came from Thien. He grinned as he sat down. [Drummer] he might be—and he could actually play—but he was also pursuing another class. |
8.59 H | —Glanced up inquisitively. She met the eyes of her [Drummer], Thien. The young man raised his brows. He was actually playing. He was ready. |
9.55 (Pt. 1) | Thien suckerpunched Greg so hard the young man doubled over then took a swing at him. But the [Drummer] put him in a headlock as Cara covered her eyes. |
10.12 H (Pt. 1) | [Trumpeters], [Drummers]—the kind of people who worked in an army. They had been listening to the music with great interest, but a clear kind of rivalry. The music of Earth that was so fascinating to most people of this world was being critically inspected by one of the [Drummers]. |
10.12 H (Pt. 1) | [Trumpeters], [Drummers]—the kind of people who worked in an army. They had been listening to the music with great interest, but a clear kind of rivalry. The music of Earth that was so fascinating to most people of this world was being critically inspected by one of the [Drummers]. |
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